Showing posts with label animated movie. Show all posts
Showing posts with label animated movie. Show all posts

Tuesday, March 26, 2013

REVIEW: The Croods (2013)

Animated CGI kids films are all the rage, and why shouldn’t they be? They’re profitable as hell, and these days they’ve gotten some serious street cred after films like Ratatouille, Up and last year’s luminous Wreck It Ralph have made the genre into a veritable powerhouse. No longer just for kids and silly slapstick, these days the genre boasts stories that are friendly for kids as well as compelling for adults, finding a perfect balance between good natured humor and good storytelling that anyone can enjoy. It’s a perfect commercial formula and it produces great films, like The Croods.

Director: Kirk De Micco, Chris Sanders
Starring: Nicolas Cage, Emma Stone, Ryan Reynolds

This movie, telling the story of a family of cavemen who go on a journey to ‘the new world’ as the tectonic plates shift and throw their current world into oblivion, is drop dead hilarious. Where Wreck It Ralph and others like ParaNorman focused more on the blend of comedy with adventure and drama, The Croods is all about the comedy. The drama comes in later, and they are on an adventure, but the jokes are so prominent and so good. Every minute, the theater was busting out in laughter. The comedic timing is great and the jokes are almost all killer. Right in the opening scene you get the whole family running around trying to catch food, and Nicolas Cage (we’ll get to him in a moment) yells out “LET OUT THE BABY!” And then, well, the baby comes out roaring and biting and all.

Everything in this movie is high-speed, energetic and colorful, which adds to the excitement. It’s a very vibrant film, but while busy, it never comes off as cluttered and everything has its rightful place in each scene. Very well put together. There are also all sorts of clever little bits where the film claims that the Croods are the reason we have things we take for granted – pictures, rugs, even hugs…apparently the Croods invented all of these things on their journey in this very movie. These are all just minor bits that come and go quickly, and they’re very well integrated into the rest of the film. And they’re very funny, which is always a plus…

The acting is pretty damn good, featuring Emma Stone as lead girl Eep, who is a rebellious and single-minded woman who can do things on her own…well, Emma Stone is pretty much typecast in this role now, and The Croods nails it, right down to the ‘tough girl but still needs a boyfriend’ trope. And said boyfriend role is filled by Ryan Reynolds as Guy, in probably the first thing I’ve ever liked him in. Guy is a timid but intelligent young man who unwittingly steals Grug (Nicolas Cage…again, we’ll get to him)’s family away from him, and incites the whole movie when the family takes him hostage on their road trip to find a new home, thinking him useful.

Okay, well it’s time to address the elephant in the room here…yes, Nicolas Cage is in this movie, and he is hilarious. He plays Grug, the father of the cavemen who feels threatened by the new world full of ideas and progression, instead preferring to keep hiding in his cave. I haven’t seen Cage having so much fun with a film in years. While most of his recent roles have tended to be more somber in nature even when the movies themselves got silly, The Croods sees a return to his silliest, most over the top performances. While I can’t say the movie would have been improved by adding in some Vampire’s Kiss-esque insanity…


Uh, I think you mean "I'M A CAVEMAN! I'M A CAVEMAN!" But I digress. It IS suitably insane, and the cartoony nature of it all just makes sense, don’t you think? I mean, Nicolas Cage is already a cartoon character in every aspect aside from the fact that he’s three dimensional and resides in our world. Thank God this movie fixes that problem.

There’s a great scene near the climax where Grug, after being cast out as his family prefers staying with Guy over him, spends the night thinking of ideas. When they encounter him the next day…well, it’s pretty loony and involves him skipping around with an ugly octopus-shaped rug on his head, sunglasses on his face that he can’t see out of, and lots of slapstick. I should be annoyed at how much slapstick there is in this, but it’s all really well done and is actually funny, which is something a lot of movies seem to miss. “Slapstick” isn’t an excuse for laziness.

Of course there is the expected dramatic turn toward the end, too, and I won’t spoil it. But for all its humorous moments, the film does know how to turn down the dial a bit and work the heartstrings, producing some very fine, dramatic moments even if they do get kind of predictable. Just for once I’d love to see a film like this go the extra mile and have something really dark happen – instead of the main character looking like he’s dead and then ending up living happily ever after, why doesn’t one of these films actually have him die and stay that way? But it’s wishful thinking.

I also think it’s interesting that, really, the film belongs to Grug the most. It appears at the start that Eep will be the main character, as she gets the most development at first and is the one who sets the chain of events in motion, but in the end she sort of takes a backseat, becoming a more generic female character for this type of movie. Which is a bit disappointing, but then, on the other hand, Grug is a great character and a lot of fun to watch him develop. I’m not a father, but I like the way the movie portrays fatherhood – at first he seems grumpy and even mean at times, but he really does have his family’s best interests at heart and he does have the capacity to change. It’s a genuinely good character arc, and one of the better parts of the film.

So that’s The Croods, and without spoiling too much, I think it’s really good. It’s a bucket full of fun and has some good drama as well, with lively performances and great mise en scene throughout. It’s just a solid, enjoyable animated flick and anyone who has a heart will probably find something to enjoy in it. So what are you waiting for? Go watch it. Go watch it now.

Images and videos in this review do not belong to me; they are copyright of their original owner.

Monday, July 4, 2011

Classic Review: Who Framed Roger Rabbit (1988)

Director: Robert Zemeckis, otherwise known as the God of 80s Movies
Starring: Bob Hoskins, Christopher Lloyd, Kathleen Turner, Charles Fleischer

"I'm not bad. I'm just drawn that way."
-Jessica Rabbit

Blending cartoons with live people in movies is a weird idea. But back when it started out…it was still a weird idea. But strong writing and a lot of charisma catapulted this oddball of a movie, titled Who Framed Roger Rabbit, to become quite a memorable and interesting flick that people still talk about today. Let’s take a look.

First off, there’s one thing that really bothered me about this movie, and it’s the DVD menu. Basically it’s set up in a very gimmicky, fun way to go along with the story of the movie. It looks like you’re sitting in the movie’s talking car, Benny, who provides witty commentary. That’s OK I guess, but then all the menu options are named after things from the movie. At first I was like, OK, this will all make sense once I’ve actually seen the thing…well, nope, it’s like they just randomly named everything for no reason other than to have it themed after the movie. It’s not terrible, and at least they were trying to make it fun, but I kind of wish they had just skipped all of this stuff and just given us a straightforward menu. I mean, I had trouble even finding the subtitles menu and the select scene one.

OK, all complaining aside, the movie is pretty great. The plot is basically this: Cartoons and reality are intermixed and each has their own politics and cities to live in. A cartoon star, Roger Rabbit, is framed for the murder of a high profile politician, which leads a grumpy detective and a voluptuous female cartoon companion to go and set things right, getting into a ton of mayhem and madness all the way. It’s a mix between Looney Tunes and film noir. Did you ever think you’d see that before the first time you popped this into your VCR back in the 90s? Probably not.

Really the reason this film is good is just because it’s creative and keeps your attention, nothing more. It’s a good, fun story, with a lot of energy to everything about it. You can tell they were having a ton of fun making this movie, as it shows in every scene. The thing about this is that it is funny – very much so, at times – but the humor seems to be naturally ingrained into the world of the movie itself, instead of forced on us through verbal jokes and slapstick, although there are some of those as well. This is a world that is funny in and of itself. That’s kind of interesting about this.

The acting is generally decent to good, with the main characters being the best ones. Bob Hoskins as Eddie Valiant, the grumpy detective I mentioned above, is a good one, and Christopher Lloyd as the evil Judge Doom is good, although he raises a few questions. How does one become a judge of doom? Do they really just elect judges this crazy in this world? I guess it fits the themes of corruption and 80s seediness though. I sure wouldn’t want him judging my case. Charles Fleischer deserves special mention, too, as he voiced several characters in this movie, including the titular Roger Rabbit, and also Benny, as well as a few others. He’s really talented and has a knack for making very different sounding, very goofy voices, and he brings us some of the film’s funniest parts.

Everyone always talks about Jessica Rabbit, the sexiest cartoon alive, and for good reason. She was specifically constructed to be that way, like a middle finger toward everyone’s perceptions of what is attractive. The way she flaunts her unnaturally curvy body and talks in that low, sultry voice…damn. It’s pretty hard not to anticipate every scene she’s in. She’s just a cartoon! But let loose your dignity for a second and try to tell me with a straight face that she isn’t at least a little bit sexy anyway. Kathleen Turner does an admirable job as her, too.

The film just sort of hooks you in. It keeps the punches rolling and remains very watchable all the way through – the most basic kind of enjoyment. There isn’t a boring moment. The plot has a ton of mysteries and goofy, imaginative cartoon stuff to make sure you’re kept on your toes at all times. There’s a lot of completely zany things going on at all times and I really like how creative they got with some of the animation and ideas. It’s a feast for the eyes as well as a well told story, with the blend between wacky cartoons and film noir being so odd and out of left field that it just becomes awesome. If you like creative movies, you’ll like this, but you’ve probably already seen it anyway. These were just my own ramblings. Take them as you will.