Stephen King's IT (1990) - Part 2

Welcome back to the review of Stephen King's IT, the 1990 TV movie adaptation that made every fan of the original King novel want to throw their TV into an active volcano. I covered the first part of this a few days ago, and now I'm back for the second part. Make sure to read the first part first!

Director: Tommy Lee Wallace

Starring: John Ritter, Tim Curry, Richard Thomas

IMDb

Co-written with Tony.

It does have to be said that the child actors in this movie are pretty damn good, especially considering it was a 1990s TV movie made from a horror novel. That doesn't usually lend itself to good child actors, but we did get some very decent scenes with those kids in the first part of this whole thing, especially when they had to interact with Tim Curry. Curry is also fantastic and looks like he was having a lot of fun. Or at least like he was on some good drugs before shooting this, which is how I would have gotten through it all, too.

Why am I going so easy on the movie now? Well, because this is the last of anything good I'll have to say about this piece of shit. After the first part, the director probably said, yeah, I've done enough of anything resembling quality from 20 yards away by a half blind guy. It's easy for me to believe that's what happens – that movie directors consciously decide to make bad movies. That sure does make reviewing easier than actually considering peoples' motivations and what they were trying to do with a piece of art!

So, basically, all the main “heroes” gather under one roof in their old hot spot Derry, Maine. Bill meets up with Mike Hanlon, and the two embark on what I can only describe as a rejected Full House opening credits scene when they find Bill's old bike. For some reason, Mike has kept that bike all these years – for 30 fucking years he kept a 12-year-old boy's bike.

Nothing weird about that!

But you have to admit. These scenes of them fixing Bill's bike and riding around on it set to puke-worthy pop rock garbage – they're pretty unbearable to watch. I feel like this is the kind of scene that a guy writes at the very end of his rope, after his bosses have shoved him down to the bottom of the barrel in terms of projects to work on. I can't imagine how many people you'd have had to piss off.

I'm trying to think of a nice way to say 'I want to stab this scene with a pair of rusty scissors and then bury it in the Mojave desert' but...nah, that works.

Meanwhile, Richie here hangs out at a library, fretting all the time about how he should just run for the hills and go home. This character in the book was quite well rounded and could be strong when he needed to be. So I guess that's why he's a total pussy bitch coward in this movie who can't go a scene without whining about everything.

Stop whining, your ancestors had WAY more blood on their faces than this and they were fine!

He's accosted for a looooong stretch of time by Tim Curry, who makes a bunch of balloons explode blood all over him and then Curry sits on a banister and screams nonsense for a while. It's extremely entertaining, at least until Richie starts screaming over HIM in a more annoying voice at the library attendant. It's less a scary scene and more of one that makes me feel bad for the poor girl playing the librarian. I hope someone gave her a shot of Jack Daniels after that idiot screamed in her face all day.

Just another day at the library...

Then they all meet up at a dinky looking Chinese restaurant and they all have the happiest reunion a shitty ass script like this one can produce. I love when one of them, Eddie I think, sees Mike and goes “is that you, Mike?” Yeah, Mike, at this reunion of all our childhood friends that I knew everyone who would be there, is that you, my one black friend? How many other black friends did I used to have, anyway? I just can't keep track.

The ensuing dinner table conversation that happens after this is frankly psychedelic in how bizarrely awful it is. First you get a long one-shot camera take where the camera just spins around them in circles as they talk. It's absolutely baffling as to how anyone thought that was a good idea. What, did you lose a bet? Did you make a dare that you could definitely work your patented “drunk on a merry go round” camerawork style into a movie somehow, and us, the viewers of Stephen King's IT, lost out big time on that?

Then if you can get past THAT and listen to what they're saying in this scene, it's even more batshit crazy. First they're all friendly and happy, just chatting about old times. Okay, fine. Then everyone starts panicking and shouting for no reason about how they're going to die, with seemingly no transition. Then, a beat later, they're all just hanging around drunk, talking about old times again. What the hell is wrong with you people? I can see why no one else wants to hang around these idiots – no one can keep up with their conversations. It's like a roller coaster when you're high.

Oh, but they do get some fortune cookies with bugs and a human eye in them! Man, I love Chinese restaurants.

I do love different cultures!

Oh, and Bev also kisses like, half of the group on the mouths, just as a friendly introduction. But don't worry, they all really hang out with her for her personality and brains. Yeah. That's it...

Most of the rest of this is a seemingly endless slog, much of it taken up by the characters all competing for the dubious honor of most annoying in the entire film. Who do YOU think is more annoying? Richie, who constantly has a look on his face like he wants to take a shit, and who is always blathering on about how scared he is?

Or Eddie, whose voice gets higher and higher pitched as the film goes on, as if he is trying to turn into a human dog whistle?

There is a scene where the bully Henry Bowers breaks out from the mental asylum he was in all these years. He's helped out by IT, which takes the form of the security guard's worst fear...a bull dog in a clown outfit eating him alive. Hey now, don't make fun of him. That's an extremely common fear to have.

Seven of my friends are deathly afraid of this.

Then he goes and stabs Mike in the library. In the book this was a pretty suspenseful scene, but in the movie it's over in a few seconds and barely has any weight to it. I dunno, maybe the director was just running out of time and money by this point, but I've had more impactful moments in my life at the bank depositing a check.

So Mike's out, which leaves the others like retarded babes in the woods, all of them completely unsure of what to do. This leaves us much more time to develop the remaining characters, like Ben and Bev, who have an extremely contrived and cliche romance scene together. Their dialogue is so bad that even people who eat up airport romance novels would roll their eyes. This is just the worst kind of dated cheesy garbage. It's as painful a scene as any I've ever sat through on this blog. Just so fucking lame and trite.

Lifetime movies are like David Lynch compared to this.

After approximately seven more hours of bitching and whining about how they want to go home – and no, I'm definitely not exaggerating there about that length of time! – they finally decide to go back in the sewers and face IT once and for all! As they get to the place they need to go, Eddie stops them all to confess that he's been a virgin his whole life because he never loved anyone but them!

Awesome. So...he's three-fourths gay, then? Since, you know, three of the others he's in love with here are guys. Not that there's anything wrong with that, though.

But seriously, why the hell is he talking about this now? My guess is, probably because his therapist refused to see him anymore because he was that annoying. I guess IT agreed with me, because it kills him in the very next scene!

Actually, the acting is better than I gave it credit for, because no one would be able to easily pretend to be scared of that.

Oh yeah, and it's also a giant awful-looking spider thing now, which is apparently its final form in the movie. After a three hour movie, I too enjoy seeing that the big payoff is something I can kill in my kitchen by stepping on it. So this is satisfying to me.

Something really pisses everyone off, either Eddie dying or the fact that the spider looks so shitty. Either way, it was enough for them to now go gallivanting into the sewer, tip it over like a dumb old cow, and beat it to death with their bare hands, ripping its heart out. You know, they do say to handle things in the most mature way possible, so I'm cool with this.

Cool, they're like kids bored in a small town and wanting to go tip cows. Awesome.

Then we find out that Bill's wife, who had been kidnapped by IT, is now catatonic with fear. Then there's a scene where he puts her on a bike with him and rides her down a crowded street with no regard for traffic. It could have gotten them both killed and could have injured God knows how many other people, but somehow in the magically idiotic world of IT, this just wakes her up.

I know a lot of people talk about how scary this movie was when they were kids. I've had multiple friends tell me how scared they are of clowns because they watched this at age 7 or some other ridiculous age. But honestly, just try and watch this shit now, when you're older. It really is just so toothless, idiotic and silly, on every single front. While the kids are good actors and Tim Curry is a lot of fun as the clown, mostly everything else is just total shit. It's really, really not scary at all, with all the scares coming off as funny when they're not just sad.

The drama is so bad it makes me want to turn the movie off. The characters, who in the book were so great, have all been turned into awful, shitty whiners and cowards. Like they didn't just not capture the spirits of the novel's characters - they actively ruined them all. The story from the book isn't done justice here, mostly because it was so large and expansive in the book that condensing it down for a movie is very hard to do.

Maybe a remake would do it more justice. Maybe if made by someone who was genuinely interested in changing up the story to adapt it better to screen, rather than just trying to stick so faithfully to the book, IT would be a better film. Maybe this is just a sad relic from a time gone by, and we can ignore it now and focus on the great source material.

But frankly, it's more fun to just straight up bash a movie and not put any thought into a review. Fuck Stephen King's IT!

Images copyright of their original owners, we own none of them.

Predator 2 (1990)

You'd think it would be really easy to make a Predator sequel. I mean, the first one wasn't exactly the stuff of geniuses – you take a bunch of musclebound meatheads, stick 'em in the jungle and watch them get killed off by a sometimes-invisible alien. I had never seen this one, so I was like, oh, it'll probably be more or less the same, right? Right?

RIGHT?!

Nooooooo.

Director: Stephen Hopkins

Starring: Danny Glover, Gary Busey

IMDb

We start this one off with some news reports detailing the dystopian future we all have to look forward to: in 1997, apparently voodoo gang members rule Los Angeles and the police are helpless to stop the constant gunfire and gang warring going on. You read that right, yes – voodoo gang members.

I...just can't even comprehend what kind of bungled thought process went into THAT one – hey, let's make a predator sequel! Cool, what ideas do you have? Well, I thought I'd add in some voodoo gang members in a dystopian future landscape to really exemplify what the Predator is all about and...hey, why are you running for the door? Come back!

Well that's what should've happened. Also, yes, 1997. I do remember the violent gang wars that ruined LA at that time – what a fiasco. And to think all we have to worry about these days are lesser issues like ISIS and the economy and shit. We have it easy!

So apparently our main character is Danny Glover, playing a horrible actor. Or is that not a role at all? There isn't a lot to say about the first twenty minutes or so, as much of it is just a haphazard dive into gratuitous shooting and violence. This isn't necessarily bad, but it's tough to get invested in a film that doesn't seem to give two shits about actually introducing you to any of its characters in the least – instead it's just “Hey! Look at how much violent shit we can put in!”

The gunfire and the cars getting blown up have more character development than the actual characters.

Although there is one guy who we'll rememeber, though mostly for cocaine induced reasons:

Well that's how everyone on set got through making this thing, anyway.

This whole thing goes to shit when the Predator shows up and slaughters most of the gang members. The last guy, Mr. Cocaine over there, is left to jump off a building when he sees the Predator coming for him. This surprises exactly nobody until they notice the little detail of the one other guy in the building who was randomly chosen to be strung up like cattle with his heart cut out.

One of Glover's guys, Danny, goes off by himself and ends up getting killed. Glover gets shit for messing up the operation back at the base, because they weren't supposed to go in the building at all, and apparently he has a history of not obeying orders.

Astonishing; a movie cop that doesn't obey orders? What's next, a hot chick that needs to be saved from a villain twirling a mustache? Whatever will you do next to buck the system and fight against cliché, movie? I'm just on the edge of my seat.

We also get introduced to some other characters, like Gary Busey playing some hard ass special ops guy trying to take over this whole thing as his own. But really his job just seems to be showing off that gap between his front teeth.

Then there's Bill Paxton, who loves to tell wacky stories at crime scenes, because that's how a good cop acts, you know. This character is a constant annoyance on screen and there's really nothing about him that I enjoy.

While that's going on, the Predator is busy killing off a bunch of the Voodoo gang members in some condominium. The cops come and investigate, finding a little spearhead thingy, which Glover and his sidekicks take to some white-haired scientist lady who I think has been locked in a room for seven years with no way out:

Hi, character invented for no purpose but to dole out exposition like a Blackjack dealer!

The lady looks at the spearhead, proclaims she's completely baffled by it because it has no metals known to the periodic table, then just shrugs and lets the cops take it out with them again. You know, no point in actually researching that shit; just let them take it out with them and never bring it up again, like any good scientist is wont to do. Brilliant work, lady.

Then we get more action when a bunch of guys on some train are harassing some women when the entire train whips out guns, because this whole thing is really just the NRA's wet dream fantasy:

The Predator was apparently just waiting for this opportunity, as he comes down and slaughters most of the people on the train. The cops get there, and we see the movie's fetish for scenes where people wander around in the dark for a while before something jumps out and scares them, which is NEVER something overdone in these kinds of movies!

Run! The Invisible Man has gone INSANE!

Fortunately Paxton gets killed off in this scene, which raises the movie up a notch for me personally, as I was about to claw out my own ear drums if I had to listen to another scene of him telling jokes in the middle of a crime scene.

DIE!!!

Like clockwork, Glover gets chewed out back at the station and it's revealed he has a history of being psychologically unstable and violent, yet has been on the force for a jawdropping 18 YEARS. Are you shitting me? In the real world he would have been fired and then gone through rehab twice in that time! 18 years? Were they really that short on people? What did their other options look like?

Oh. Oh, I see. Well THAT I understand - carry on, then.

Anyway, Glover then immediately goes out and violently confronts Busey, which I'm sure will really change the higher-ups' outlook that you're some violent, crazy madman...oh wait, no, it really won't.

Oh, the guy with a history of psychotic angry breakdowns in public just did the same thing again after an 18-year career of the same shit over and over? OK, you can stay on the force.

While Glover is visiting his buddy's grave, the Predator stalks him because he has that arrowhead thing, or something like that – this scene is just an excuse for the Predator to have a scene where he runs into a little boy with a gun. C'mon; are we really that bereft for ideas that we're putting a “monster runs into little kid” scene in this shit? Is that the level we've stooped to?

Be careful, kid; you could get expelled from school for having a toy gun these days. Gotta appease the overreaction culture!

Then we get an interminable number of fight scenes which pretty much go like this: people wander around in the dark, then the Predator reveals itself, and we get a decent splurt of actual action. These scenes aren't bad, but they certainly aren't good enough to rival the intensity of the first film. I guess the most pressing thing going on is that Busey and his Special Ops idiots have figured out how to detect the Predator with some kind of thermonuclear detector or something.

Great! How will that wo---oh, I forgot, having any characters be competent would just be silly. Instead the losers and fuckups are the only ones who can survive in a movie like this!

He died as he lived, with his mouth open.

Glover and the Predator have a showdown where Glover takes off his mask and the Predator does his whole "repeat a line from earlier in the movie" thing like in the first one. Only unlike that movie, this time it's a really dumb, lame line that mostly embarrasses me for the makers of this movie. Are you ready for this? The Predator, this ultra badass alien super-warrior, utters this line: "Shit happens!"

Fuckin' seriously? THAT was the best you could come up with, writers? "Shit happens" was the summation of your creative wit? On the one hand, it doesn't even make sense; how does that have anything to do with the situation at hand? On the other, at least it kinda sums up the making of this movie. Shit does happen. As is quite evident here.

You'd think THIS would be the end of the movie, but no, there's still 30 minutes left. 30 minutes? How? What more do you really have to do with this story? Are we going to have the all-important scene where the Predator talks to his therapist about how his mother never loved him and that's why he turns invisible and kills people on other planets?

What about the scene where the Predator helps his best buddy set up a wedding reception? Is that one included?

I'm just asking out of curiosity, as really, this thing is dragging on like a party thrown by your great aunt where she tries to get you to play Parcheesi with your redneck hick cousins who you haven't seen since you were in diapers because oh, it'll be like the old days, except she ignores the crushing reality that the reason you haven't come over in a decade and a half is exactly because of this, and because she also sneaks in snide racist comments she doesn't realize are outdated and kind of offensive and you just don't want to get mixed up in that kind of thing anymore, so you just stick to calling her twice a year on Christmas and birthdays from now on.

What? Oh, where was I? Oh yeah. 30 minutes left after all this? Nobody was around in the editing room nodding off to sleep going “hey, maybe we need to cut this thing down by at least 20 minutes”? I mean that's really all you're doing at this point – creating a cure for insomnia.

But hey, it's not all a loss...we do get the scene where he scares an old lady in the bathroom.

The Predator tries heroin...his experimental days...

In the alternate ending, the Predator is killed by an old lady with a broom. This ending was eventually rejected after test audiences thought it was too realistic.

Because yes, this movie was so desperate it needed to include both the 'little kid' cliché AND the 'old lady' cliché just to show how lighthearted and goofy it really is with its monster movie concept. That's fuckin' astonishing, the level of pandering here.

Then somehow Glover slides down an elevator cable and finds a spaceship with an inside that I think was decorated by the crew from Big Trouble in Little China.

Except Kurt Russell could have made this movie awesome. Seriously; who thought replacing Arnold Schwarzennegger with Danny Glover and Gary Busey was a good idea anyway?

Glover fights the Predator and somehow beats it down, but then a bunch of its buddies pop out of thin air and carry him away. But not before tossing Glover a gun from the 1700s for no reason whatsoever!

What the hell was that about? I have no clue. I guess they intended to have a sequel to this thing, but obviously after 24 years that isn't happening.

And why should it? This thing is just a mess. There are some goofy fun moments, and not all of it is bad, but for the most part it's too long, the characters are annoying, there are a bunch of cliches and the story is just kind of a mess – the Predator mostly just seems like he's stumbling around aimlessly, and what is he even doing in this setting? I get wanting to change things up from the first film, but this just seems like some entirely different movie, some sort of dystopian gang-war thing like a discount The Warriors, with the Predator thrown haphazardly into the middle. Half the time he just seems like he's confused, as he doesn't have much purpose or direction in this movie and just pops up wherever.

There's no consistency to this thing and with a near two-hour runtime, it gets tiresome by the end, real fast. I guess I can see why some people like it, but really to me it is just an overly long, ridiculous bore for the most part. I guess you could do worse though. You know, the best thing you can say about any movie!

Images copyright of their original owners; I own none of them.

REVIEW: Highlander 2 (1990)

This sequel to the 80s bastion of moldy cheese that was Highlander is reviled by many fans of the original movie for reasons that...well, let’s be honest, the reasons why people hate this sequel become apparent about a minute and a half into the movie. Maybe even before that. But is it really one of the worst sequels of all time? Is it really such a travesty? Well, why don’t we do that thing I always do and figure it out together?!

Director: Russel Mulcahy

Starring: Christopher Lambert, Virginia Madsen, Sean Connery, Michael Ironside

Website: http://www.imdb.com/title/tt0102034/

So before we even get to the actual film, how about the Netflix envelope? This movie is so half-assed and confusing that even the envelope it comes in from a movie rental service is apologizing for it, admitting that it is so stupid that nobody could for even one second find it credible. These are the words, printed verbatim from the outside package, that come with Highlander 2: “This sequel to the cult sci-fi action film largely discards the original’s premise of mysterious immortal swordsmen, revealing Connor McLeod and Juan Sanchez Villa-Lobos Ramirez to be long-lived aliens.”

Yeah, “largely discards the original’s premise.” As if they’re just warning you not to rent this crap! And yes, this is real; the Highlanders are aliens, complete with a plot about what amounts to saving the world from global warming. Are we still in the same universe? How does this have ANYTHING to do with Highlander? And it’s by the same director as the first one?!? Did he just get a surprise back-alley lobotomy in between films? There’s only a three year difference! What the hell happened? Well, I guess we’ll never find out if we just sit around bitching about it all afternoon.

The film begins with a text scroll explaining that the ozone layer just mysteriously deteriorated so much by the year 1990 something that scientists had to construct a “shield” to protect humanity from radiation poisoning, which eventually backfired and almost entirely eclipsed the sun. Now an evil corporation controls the “shield” and uses it to blackmail the public. Yeah, sounds like Highlander to me, too! I guess this could be a good plot for an entirely different movie, but for a Highlander sequel…this is just out of left field.

And remember how the last movie started with a wrestling match flashing back to medieval Scotland? Well, this movie starts out with an opera:

…and then flashes back to the warlike planet Mars as alien tribes ready themselves for battle! And no I swear I am not making this up:

Yeah, apparently the Netflix envelope was telling the truth – Connor McLeod (Christopher Lambert) and…well, Sean Connery, since let’s face it, none of you are going to call him by his character name…are aliens in some space war, captured by this alien warlord Highlander guy named Katana. This character is played very poorly by Michael Ironside, a great actor stooping to an almost unheard of low by acting in this dreck. He banishes McLeod and Connery to Earth, where the events of the first movie transpire over hundreds of years.

…you know, there are just some things that remained better unexplained. Honestly, who ever thought the story of the first Highlander involved aliens from Mars? Nobody, because IT’S A DAMN TERRIBLE IDEA. It’s like pretending the story behind Michael Myers from Halloween involves ancient voodoo rituals and Pagan crap…oh, wait. Carry on, then.

So McLeod, apparently, became mortal for some reason after the events of the first movie and before the whole “shield” debacle started. He is living out his days as a crusty old man with just about the silliest old-man voice imaginable. I don’t really have a sound clip, but seriously, just picture the goofiest old man you ever heard in a Nickelodeon cartoon – McLeod is worse. It’s a really bad sign when I can’t take the MAIN CHARACTER OF YOUR MOVIE seriously for even one damn second.

I'm just a doddering old fool! I should probably be in a nursing home, but hell, it's the future! We've outgrown those primitive institutions. So now I just walk the streets getting harasseed by everyone.

But it’s OK, because Michael Ironside is ready to one-up this ridiculousness as he commands his two BDSM Cenobite minions to go and kill McLeod. They point out that he is so old that he will die on his own soon anyway, but since we wouldn’t have a movie in that case, Ironside rejects that sensible idea and tells them to go to the future and kill him anyway. Hooray for illogical decisions!

Ha ha ha...they look like something Tim Burton would dress his kids up as for Halloween. Edward Scissorhands-lite.

They attack him and he fights them off really well for an old coot, and then he even turns back to his younger immortal self, because the two goons messed with the time stream or something. Now, this begs the question…if they can just go anywhere in time, why not just go back to when they first put him on Earth and cut his head off before he awakened his powers that first time? Or why not just go back to when they had him enslaved at first and kill him while he was bound in chains? Oh, wait, because then we wouldn’t have a movie. Silly me!

Is he really riding on flying shoes? Seriously? That's really lame...I don't even have any other jokes.

Also, I’m SO GLAD Ironside sent his two goons back to kill McLeod thus bringing him back to his younger and more powerful state! This guy is a GENIUS!

To distract you from the stupidity of the movie, we then see McLeod having hot steamy sex with a woman he doesn’t even know, the head of some kind of terrorist organization that was only written into the script as an afterthought:

I really can’t even describe how strange this scene is – not with just still pictures. She confronts him after his fight with the two goons and asks what happened, and then he…hypnotizes her, I guess, to start making out and screwing him right there on the spot. It’s less “sexy” and more “incredibly uncomfortable and creepy.” Mostly just makes you feel like you need a shower.

But if THAT wasn’t ludicrous enough for you, apparently McLeod can bring back the dead Sean Connery by just…shouting his name at the sky, as he returns like he never got killed by The Kurgan in the flashbacks of the first movie. He interrupts a performance of Hamlet and doesn’t seem to realize it’s a show:

Truly how Shakespeare was meant to be performed, with the added inclusion of a buffoon who has a Scottish accent but whose character and name are supposed to be Spanish.

So they just never had minstrel shows or anything in old Scotland, then? I’m calling bullshit on that. But it does give us a stale and unfunny attempt at a comedic scene, which is pretty much all you’ll be getting from Connery for the entire film. Oh, he’s confused and doesn’t understand modern slang and technology? HOW INVENTIVE AND GENIUS! Great comedy! Well, about as funny as my grandma’s leftover spinach from three weeks ago.

And then we see Michael Ironside’s grand entrance to Earth as he just falls from the sky and crashes right through a subway train moving by:


I didn't have space in the review itself, but there's a part where he goes up to someone on the train and says "We're not in Kansas anymore," or something like that. How does he know that reference? Bad 90s writing of course! Man I need a drink. Of the alcoholic persuasion.

Okay, for one, how did he not do that more elegantly? Nobody else we’ve seen teleporting in the movie is that clumsy – hell, even Ironside’s minions did it better! And two, if he had the ability to do this, WHY DIDN’T HE JUST DO THIS FIRST INSTEAD OF LETTING HIS MINIONS DO IT? Oh yeah, because there would be no movie that way! Silly me!

So Ironside goes on a joy ride with the train in which he tries, and fails miserably, to reach the hammy heights of the Kurgan from the last movie. He’s pretty silly, yeah, but you just can’t beat a big muscular bald guy sitting in a church and making faces at the preachers. Or a crazy after-dark ride with an old lady. But I digress – the main reason Ironside pretty much sucks is because after his joy ride, in which he kills pretty much every passenger of the train, he opens the door looking all frazzled like a cartoon character and says “Last stop?”

Seriously, this shit is like Wile E. Coyote written by people with no grasp of comedy. IT’S AWFUL.

Oh, what’s that? You want more garbage comedy attempts puked out of the collective depths of the writers’ bowels? Well, how about like three different scenes of Sean Connery on a plane with the subtitle “Somewhere over the Atlantic” – which makes no sense seeing as it should only take him a few hours, and yet at least a day’s worth of events happens in the movie’s time and he still isn’t there – making chit chat with the passengers and flirting creepily with women?

She was paid a lot of money to laugh at Connery in this movie...

I also really love the future's airline etiquette: they don't show the safety video that tells you to buckle your seatbelt and that your seat can be used as a floatation device until NOW. Yeah, they wouldn't show it before the plane took off - they'd wait until the plane was "somewhere over the Atlantic" to inform the passengers of what to do in case of an emergency!

Yes, to keep the passengers as calm as possible, this airline shows a video of people panicking and the plane crashing IN THE MIDDLE OF THE FLIGHT. Gee. I didn't know United Airways went downhill so much in the future!

So McLeod goes to visit this old professor friend of his who helped him back in the day with that shield thing that stopped the ozone from killing everyone. The weirdest part is that the friend doesn’t realize that McLeod has de-aged. He just thinks McLeod “got a face job” or something…how is this guy a scientist again? I wouldn’t trust him to bag my groceries.

But apparently the government doesn’t trust him either, as they have him arrested and thrown in jail for possibly knowing that there could be clean unpolluted air outside the shield, and the exact coordinates at which one can find it. McLeod, however, is busy fighting Ironside, although the fight is not actually resolved so much as just…temporarily stopped. The movie then fades into McLeod’s new love interest sleeping – I really don’t think transitioning from a fight scene into someone sleeping is a good way to get your audience hooked.

McLeod finally meets up with Connery again after the longest plane ride in history. The two take the love interest chick and run off to save the world! They find Mr. Unreliable Scientist Friend and tell him everything is OK, and then he just dies right there, like his life’s purpose is complete. How sad…? No, sorry, I really can’t get emotionally invested in any of this. If it seems like I’m rushing this review, I am – there’s too much to talk about and not enough space to do so.

So some more really boring sword fight scenes – like you have no idea how boring these things are – McLeod and Connery make it through the maze. Connery sacrifices his life for no reason. McLeod and Ironside finally square off right by the generator machine, and Ironside is beheaded in typical Highlander fashion. Connery’s voice narrates from beyond the grave somehow and says they must work together to destroy the shield and break down the walls under the sky.

Now, keep in mind, this generator thing has been BUILT UP TO ALL HELL before this scene, with everyone saying it was impossible to get to and acting like it was completely impenetrable. So HOW does McLeod finally beat it? Get ready for the most exciting, nail-biting, ground-breaking, intense scene to EVER…yeah, he just walks in and then the shield is destroyed:

What the---?! How---?! Why---?! Oh, screw it, there was no thought put into this, so I’m not going to waste my time. He seriously just…walks in and everything is fine. That’s how easy it was the whole time to return the Earth to normal! How did the ozone layer just randomly return itself to its normal state and make the air habitable again? Who cares, the movie is over! I’m happy with that as it is!

This movie was stupid. Everything was so convoluted and such a mess that the film just collapsed under its own weight. This series isn’t that complicated, guys! It’s immortal swordsmen duking it out until only one remains. How did all of this bullshit about aliens from Mars and global warming and the ozone layer get filtered into the mix? Not to mention the awful “comedy” from Sean Connery and Michael Ironside and the contrived romance, along with the terrible special effects - pretty sure even the first movie had better special effects than the ones here.

It’s really no wonder that future Highlander sequels disregard this film entirely as part of the series canon, and that almost every fan hates it with a passion. I won’t say it’s absolutely unsalvageable, as there are a few good ideas here and there (I kind of like the whole idea that McLeod tried to save the world but ended up backfiring with the shield, causing everyone to hate him), but the haphazard way the story is put together as well as the numerous plot holes just makes it too much to bear. Highlander 2 is a dud.

What’s that? You want me to review a sequel that is equally, if not more so, horrible, that people actually LIKE? Well, okay then. See you next week!

TO BE CONTINUED…

DISCLAIMER: I have nothing against United Airways.
DISCLAIMER 2: The pictures in this review do not belong to me. They are copyright of their original owners.