Director: Tobe Hooper
Starring: JoBeth Williams, Craig T. Nelson, Heather O'Rourke
Yes, this classic horror film has been a sort of classic in the
history of the genre since it came out in 1982. It was directed by Tobe Hooper,
who gave us Texas Chainsaw Massacre…
But also gave us the sequel.
So you can see how I’d be skeptical upon watching a film from a man who
brought us such polar opposites in quality. But Poltergeist is one of the
classics and I’d be a shmuck if I didn’t give it its fair dues. Let’s take a
look at this bizarre and shocking old film and see what makes it tick.
The film begins with families at Thanksgiving fighting over the TVs and
changing the channel in the house next door, just like any holiday should have.
I’m so glad the film has such conflicts as “what should we watch on TV,
football or Mr. Rogers?” Any film without THAT level of conflict just doesn’t
get full marks in my books.
And to add to the bone chilling drama, we also get a dead bird and the mom tries to flush it down the toilet, but gets caught by the daughter, Carol Anne:
Busted! So they give it a Viking funeral and send it off to an
afterlife with 777 virgins awaiting it…well, OK, they bury it in the backyard
with some flowers and a picture of the family. How touching. It’s so touching
that they immediately get fish right after!
Later on the son, Robbie, is trying to go to sleep, but keeps getting
scared of the freaky clown he has sitting on a chair facing his bed…so why even
have the clown sitting there at all? Also he’s afraid of the tree outside which
is just crazy in how twisted it is…he has blinds that he could close, but he
chooses just to leave ‘em open so the tree can scare the shit out of him.
Pennywise's Disciple. |
I think this kid is a masochist. Or at the very least, just wants an
excuse to go in and see his parents smoking pot and acting like jackasses in
the next room over, so loudly that I’m surprised anyone else in the house gets
any sleep at all. Good parenting, guys! Top notch!
After a long day of Mr. Rogers, dead parakeets and buying fish, the parents like some relaxing time... |
The daughter apparently sleepwalks and ends up going to sit in front of
the TV and watch the static, proclaiming loudly “They’re Here!” This line is
one of the film’s most memorable, but apparently the mother didn’t care enough
to ask what she meant then, but instead brings it up the next morning at
breakfast, because that’s great morning talk…Carol Anne replies that “The TV
People” are here, which the mother just takes as nonsense I guess...too pot-addled to really care what her daughter is doing...you know, if this was made in the 2000s, it would probably heavily focus on the dysfunctional aspects of this family.
However, later on the chairs start moving by themselves! Groovy, huh?
By the time the dad, Steven, gets home, the mom has gone completely
nuts about the whole thing and is excited that she can put a chair in the
middle of the room and it moves across the floor by itself. They even try it
with Carol Anne!
It’s also notable that the mother, Diane, is afraid Carol Anne will sleepwalk
outside and fall into the pool which is still being completed in the backyard.
Uh, there are things called LOCKS for a reason, you dumbass! I think I see
where Robbie gets his window closing phobia from. I guess this is just a family
that thinks the whole world is a death trap. Everything can kill you, and why
bother trying to prevent that? Living in fear is the only way to live! Luckily,
the rest of this horror movie won’t make those views any worse. I mean, what’s
the worst that could happen? Is that creepy tree going to burst through the
windows and attack Robbie and Carol Anne? Pfft…
And tonight on "When Trees Attack"... |
Oh. Well….shit.
Then they find out that Carol Anne has been taken by the strange
mystical void inside their bedroom closet. They search the whole house but end
up finding out that she is actually inside the TV static she spent so much time
watching in a trance earlier. This is where the film gets a little more
serious, as now we see the family pushed to their limits as they try to figure
out what happened and how to fix it, and also the house is pretty fully
haunted, too. So they call in this paranormal research squad who helps out
mostly by telling them the house is dangerous. Gee, I wonder why…
Hmmmmmm....yeah it's probably haunted. INSIGHTFUL DEDUCTIONS!!! |
Also we get this scene, where one of the paranormal research dudes ends
up getting a face lift…
Ohhhhh yeah, flash those sexy looks! |
The next day, Steven’s boss comes around to see why Steven hasn’t been
to work lately, and they go to the graveyard on the hill to talk about buying
the whole plot and building more houses on it. Steven finds out that his house
was built on a graveyard and that that’s probably why their house is currently
haunted. So even though Steven was apparently such an integral part of the
company, one of their best salesmen…he didn’t know they ever did things like
this? That’s a bit hard to swallow, movie. For such a top employee, he sure
doesn’t know much about the business practices of his own company!
Then they call in this lady, who is some kind of spirit medium…
And by the power vested in me...I WILL GIVE THE HAMMIEST PERFORMANCE IN THE FILM, BY FAR! |
...she then
makes rounds of the house and tells the family exactly what the audience has
already known for several scenes now: the house is haunted, Carol Anne is stuck
in a halfway-dimension where she has to stay away from “the light,” and they
have to get her back. Brilliant deductions! Truly if the audience didn’t hear
all this twenty minutes ago, they’ll get it now. A brilliant strategy to waste
the audience’s time if I ever saw one…
Now, okay, to be honest, these are some of the best parts of the movie, as the pace slows
down and the family prepares for what’s to come next. We get some nice
atmosphere, some good dialogue and the characters are fleshed out more as we
really see what they’re going through. The film has had a great sense of
atmosphere and setting for its duration and that continues now. The balance
between the fast-paced, screamy parts and the quieter and more subtle ones is
very well done. So there. I CAN be honest and admit a film's good points! Ha! Proved anyone wrong who thought otherwise!
So that spirit medium lady tells them it’s time to take action, and we
get the big plan of sending Diane through the portal with a rope around her
waist to save Carol Anne…and it works. There’s a lot of screaming, yelling,
wind blowing and bright lights, but it works, and they get shat out of the
vortex covered in blood and entrails for some reason. The spirit medium then
says everything is A-OK! Which will be proven very, very wrong soon…where did
she get her degree again? A back alley drug dealer or something? A back alley
drug dealer of spiritual medium degrees? It’s possible.
The family moves out but stays in the house for one night longer…why?
After all that bullshit, they’re not just going to leave immediately and stay
at a hotel? They even let the kids sleep in their same room! You know…the one
with the insane hell portal in the closet that only just got closed a few hours
ago? Screw the idea that it’s safe…GET YOUR KIDS OUT OF THERE, YOU MORONS! Why
do I get the idea these parents are the kinds of people who would just let
their kids wander around without supervision in the neighborhood chainsaw and
serial rapist super-store?
As expected, the hell portal opens up again, proving that the spirit
medium lady was full of shit the whole time. Just look at what these parents
have been letting their kids live next to all these years:
Reminds me of the time I had a portal to hell in my bedroom....just one of those things every kid goes through, like puberty, ya know? |
Looks perfectly safe to me!
And then we see what happens when Diane takes a dip in the pool…
Hey, you skeletons! Get out of here! Go swim in the other pool. You don’t
pay enough to be able to use this one and it’s really inconsiderate to those
who do pay the extra fees…ugh, stupid skeletons. Such freeloaders.
Then we witness the collapse of the American housing market as the
owner of Steven’s real estate company comes back just in time to witness this:
It's a fixer-upper. |
Somehow I doubt he will have much luck finding new tenants for this
neighborhood after this.
So that’s Poltergeist, the horror film where nobody dies and somehow it
still ended up becoming a classic anyway. Spielberg and Hooper just delivered a
great film with this one, as it’s filled with memorable scenes, cool atmosphere
and good characters. Some parts get a bit dull and maybe the movie doesn’t need
to be 2 hours long, but the overall film is still worth watching for some
classic scenes and very enjoyable moments.
It's a doofy, soft-headed movie but it's got heart to it, and plus, some scenes are just great. How can anyone deny the great
chaotic scenes at the end of the film, where everything is going nuts? It’s
just tons of fun. And there’s a certain simple, innocuous pleasure to the film, too, that gives it a sort of personal and
intimate edge over films that copy it like Insidious and The Orphanage in later
years. Those films perhaps took their themes further than this one did, but
they don’t really have the “heart” that Poltergeist has, and so there’s
something here that you might not find anywhere else. Call it the classic ‘80s’
style of Spielberg.
Much has been said about the “Poltergeist curse” which surrounded this
franchise, in which many of the lead actors died in strange circumstances as
well as other people involved in the production. It doesn't factor into my enjoyment of this movie, so I didn't feel I needed to mention it in the actual review. The most tragic is probably Dominique Dunne, who played the older daughter, and who was murdered by her boyfriend before the film even came out. There really are no words for that, and I'm dedicating the review to her memory as well as to the memory of all the others who passed away in the middle of this series of films. Hats off to the lost ones of the Poltergeist series...and let us move forward, to the sequels!
Images copyright of their original owners; I do not own any of them.
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