Showing posts with label iguana. Show all posts
Showing posts with label iguana. Show all posts

Thursday, May 15, 2014

Godzilla (1998)


Starring: Matthew Broderick, Jean Reno, Maria Pitillo
Director: Roland Emmerich


Yeaaaaaah, you though I was just going to ignore this piece of garbage, didn't you?!

Actually, I had not planned on reviewing Hollywood's 1998 attempt at Godzilla, but given that I was already doing the ones from the 50s, I figured, "Sure, why not..?" and re-watched this one for my own pleasure/torture. While a lot has been said about this movie already, I found that I had enough thoughts from a personal perspective to create this post. This will be more like a mini-review like the ones I used to do, but give how long my last one was, it should suffice (for a more comprehensive take, watch the Nostalgia Critic's review of it here; it is one of his classics).

In this "original" American film, Godzilla comes into being when a bunch of iguana eggs are turned radioactive as a result of nuclear testing. Soon, boats start disappearing and New York comes under siege. It is up to a team of…people…to stop Godzilla. Whoopty do.

Most people dislike this movie and there are valid reasons for it. While most of them are well know to those who have seen it, and even those who haven't, here are the top ten (in no particular order):
  1. It rains throughout virtually the entire film for no apparent reason.
  2. The world's most powerful military will fire their guns at random, yet almost none of their ammunition can hit a 300-foot lizard within a contained area (resulting in them destroying more of New York City than Godzilla).
  3. How can you lose said 300-foot lizard in New York City?!
  4. Matthew Brodrick's character is a dweeb and most of his lines are either mind-numbingly stupid or inappropriately timed. In any other movie he would have been the comic relief, and yet he plays the lead; it is like if Rick Moranis' Louis Tully character was the leader of the Ghostbusters.
  5. All of the other characters are either unlikeable or severely underdeveloped (except for Jean Reno's, maybe).
  6. The romance in the movie is so contrived and mushy, it is painful to watch.
  7. It rips off "Jurassic Park" too much.
  8. Mayor Ebert and his assistant Gene, obviously parodies of the late great film critics Gene Siskel and Roger Ebert, are neither stomped on nor eaten, even though the real Siskel and Ebert said that this would have made a lot of sense!
  9. It tries to make certain scenes appear meaningful, but they never go anywhere.
  10. And, of course, Godzilla spends most of the movie hiding in the subway system, and when he does appear, he either runs away or chases after a taxi cab.

So is there anything really good about this mess? Well...the special effects are decent. It is obvious that this film had a budget…even if it did not use it right…

And while a number of people think the monster is ugly, I say it looks cool enough. I mean, it is not the traditional look, but I can see that a giant mutated iguana would look like this…sort of…

Strangely, only the iguana was considered by the casting director.


And at least they got a cool cartoon out of it on Fox Kids…

…even though it is kind of sad that it was better than the movie is was based on...

Okay, it is obvious I am struggling here, but I will give this movie credit for one thing: it introduced me to Godzilla. I may have seen the cartoon beforehand, but the movie gave me a real idea of what Godzilla was like as an all-destructive monster (even if he didn't actually destroy much). Hey, I first saw this movie when I was about nine years old; I was not exactly making quality judgements calls back then! So while this was not one of my favorite movies, I liked it well enough, so when I saw "Godzilla: King of the Monsters!" at a video store (remember those) one day, I got it and was hooked.

That being said, I cannot defend the lack of quality. It looks obvious that director Roland Emmerich and his producers were not that interested in taking this movie seriously (though some of them have apparently expressed regret about it in recent years). While this did get me to see the "real" Godzilla, I was likely in the minority. In fact, there may have been a lot of people who got repelled by this movie and did not want to have anything to do with him afterward!

Now, I cannot not blame the producers entirely; Godzilla is a silly series in a lot of ways, especially as it went from being fairly serious in the first movie to, well, this:


But you know what? "Batman and Robin" was based on a campy 60s TV series, but that doesn't make it a good movie or its lame humor anymore tolerable. Godzilla has a special place in people's hearts, just like Batman or any other cultural icon does for their respective fan-base. While fans can certainly be overzealous, when you make something that is important to them and it shows a lack of effort on your part, it is disrespectful not only to them, but also to would-be converts. The filmmakers should have been trying to entertain people; but the only thing they achieved was their bottom line.

Luckily, the producers of the new film coming out this week seem to understand this and, from what I have heard, have apparently worked with Toho Company Ltd. (the production company behind the Godzilla series) to create a more "authentic" version of the big guy and with a tone that is more in line with the seriousness of the 1954 original. Translation: do for Godzilla what Christopher Nolan did for Batman. I can't say for sure whether it will be good or not, but I will post a review of it as soon as I can!

So, what is the final word on Emmerich's version? It…sucks. I mean, it's not terrible; there are certainly worse movies out there to watch (i.e. 90% of the stuff on Cinema Freaks). But it's not good either, and it's a slap in the face to the series and really annoying for anyone who happens to come across it. Therefore, I do not recommend it.

The pictures and links on this post are copyrighted by their original owners and are being used for entertainment purposes only. Please do not sue me.

Sunday, March 27, 2011

NIC CAGE MONTH: Bad Lieutentenant: Port of Call New Orleans (2009)

Starring: Nicolas Cage, Eva Mendes, Val Kilmer
Director: Werner Herzog

HAHAHAHAHAHAHAHA...WOW...

Okay, before we get to...this...let's do a little introduction to director Werner Herzog. I'm not too familiar with his work, but I know that he is capable of doing very well-crafted films such as "Rescue Dawn". But then he pulls a stunt by making the documentary "Grizzly Man", which is to this day the funniest movie I have ever seen which was not suppose to be that funny. I do not know whether this is accidental or if he just has a weird sense of humor. Either way, that vibe can definitely be felt in this picture.

Sort of, but not really, based on the 1992 film "Bad Lieutenant" (haven't seen it, so I can't be sure), the film is actually for the most part a fairly gritty police drama. Terrance McDonagh, played by, you guessed it, Nicolas Cage, is a police officer in New Orleans who is injured on the job which gives him chronic back pain. This eventually leads him to become a drug addict, stealing from the evidence locker of his department and committing other immoral acts. In one particularly disturbing scene, he confronts a couple coming out of a club, confiscates their drugs, uses them, and then has sex with the woman right there in the parking lot. Yeah...he's not a very nice guy.

Anyway, he takes on this case involving a triple homicide, which he has to juggle with a number of other tasks, like paying off his bookie, dealing with his alcoholic father's dog, as well as his hooker girlfriend, played by Eva Menedes.
No, this is not that movie...Thank God...

None of this appears to be too unusual...until it gets to this one part where they zoom in on and alligator on the side of the road. Why? I don't know; its never really explained. This is when the film starts to get a little weird.

And by weird, I mean...this:


What the fu...really?! Almost full minute of iguanas?! WHY?!!! I mean, the obvious exclamation is that McDonagh is really high and is having a hallucination. But it does not take place from his point of view! Sure, there have been other films that have done this, but this doesn't seem to match up: it literally just looks like the camera man zooming in and out on the iguanas for no reason at all!!! What have you been smoking, Herzog?!

Ok, after...that...McDonagh volunteers to take care of a kid who witnessed the triple homicide. How does he do this? By snorting coke while driving the car they are in, getting into argument with a some douchebag who beat up his girlfriend, and then taking him to a casino. WORST. POLICE PROTECTION. EVER!

So after the kid runs off (can you blame him?), McDonagh confronts witness' grandmother at a retirement home where she is taking care of an elderly patient. Tired and stoned out of his mind, he proceeds to harass them, putting a gun to the grandmother's head and pulling out the old lady's oxygen tank. I know this sounds really awful, and it kind of is, but...in a sick, dark, twisted way, it is actually really funny! I love the lines he says at the end of the scene about...well, I won't ruin it for you.

I will not get into too many more details because I do not want to spoil the rest of the film. Let's just say he gets into a lot more mischief, and yet somehow things seem to work out okay...sort of. Oh, and if you have seen the trailer for it where McDonagh says "Shoot him again...Because his soul is still dancing. HAHAHA!", definitely watch out for that part; it is hilarious! The last two lines of the film, particularly the last one, are great as well.

Overall, I would say that this is a decent movie. Aside from Val Kilmer not doing anything (he can't help it, he's Val Kilmer), the acting is pretty good (Cage has his fair share of his trademark "freak outs" in this one), and most of the subplots seem to come together pretty well. It is very slow paced and so it kind of drags during some parts. And as I have said before, despite most of the stuff I focused on, its a bit of a downer. Still, the scenes that I will always remember are the weird, trippy ones. They appear out of nowhere and just leave you bewildered and laughing. I don't know what Herzog was thinking when added those scenes, whether it fit with the character's mindset or to lighten the mood or some other reason. Whatever it is, I am glad they are in there.

I recommend this movie. I know it has gotten a lot of critical acclaim and some people are probably going to get annoyed with me for not taking it that seriously, but hey, I'm not trying to bash it; I'm just praising it from another prospective: the perceptive of the iguanas. Anyway, it's a good film by itself, but even if you don't feel like watching the whole thing, at least download some of the clips from YouTube. It's totally worth it.

Well, NIC CAGE MONTH is almost over. I don't know if this will be the last entry for the site, but it is for me (granted, it's also my only one, but, what can you do?). And so, I leave you with a few magical moments from Cage...when he did five commercials in Japan for a company called Pachinko. Enjoy:

These images and videos are not mine and are for entertainment purposes only. Please don't sue me.