REVIEW: The Ring 2 (2005)

Oh man, oh man, I only have a few hours to review The Ring 2 and pass my misery onto the rest of the world, or else my face will turn into a dried up prune and my brain will go defunct! Just like…what happens when one normally watches The Ring 2...

Director: Hideo Nakata

Starring: Naomi Watts, David Dorfman

IMDb

I really can’t put into words how boring this movie is. But hey, I might as well try!

The movie starts off with some stupid high school kids getting ready for a hot night of sex when the guy asks the girl if she wants to see something scary. If the punchline is him unzipping his pants, I’m turning the movie off right now and converting to Catholicism.

No, actually it’s the Ring tape – apparently Samara was really hard at work in the three years since the first one, at making her very own video store chain, all around the USA now!

We see that he tricks the girl into watching the tape so he can get off the hook from Samara’s curse. But as will be a common theme in this movie, Samara cheats and kills him anyway when the girl only watches part of the videotape, closing her eyes for the rest of it. It’s not like it really matters, anyway. The first movie had plenty of people dying even after they showed other people the stupid tape. It’s an arbitrary, silly rule that just seems to be made up for Samara to kill people. What is even the point? Does she just get off on oddly specific murdering rules? I really want to see a ghost movie from Asia where the killer doesn’t have some bullshit excuse or guideline on what and how to kill people – that would be very refreshing.

Anyway, we then return to the main characters of the first movie, Rachel and Aidan. While I’m all for sequels actually featuring the same main characters as the originals, whoever cared about these two reappearing in another film? They’re bland as can be. It’s fine if you want to tell a continuing story, but for Satan’s sake, could you at least try to make it an interesting one? Or at least, not one that makes me wish I was in a coma?

"Honey. watch out, you're getting in the way of me neglecting you."

Rachel, being a super cool journalist, tracks down the girl who survived her idiot boyfriend’s Ring tape fiasco, and wastes a lot of time at a police station for basically two seconds of exposition where she learns that – DUN DUN DUNNNNNN – the horror is starting over again! Why did we need a five minute scene of her aimlessly putzing around at a police station to establish that this will in fact be a continuation of the horrors of the first film? I think it’s pretty self-explanatory, guys...

"Oh, I'm glad there weren't any guards around or anything. That would have made this completely impossible! And why did I wait that long and waste so much time when clearly I could've just snuck back here in the first place? I...I don't know..."

After that, Rachel manages to track down the tape in the dead kid’s house, and she goes and has her own personal bonfire with it. And just in case you’re completely retarded: this is not the end of the movie. If you think her burning this tape will end their troubles, or do anything beyond just punching holes in the “why don’t they just destroy the tape?” arguments that would have popped up...well, you’re in for a sour, rude awakening with the rest of the movie. As I said before, Samara just breaks every single rule the movie tries to tell us in set in stone. What a load of horse snot.

"I burned the tape! I'm so glad the rest of the movie just doesn't exi---oh shit, the DVD player tells me I still have an hour and a half left of the movie. Wow, this red herring totally failed."

Back at home, Aidan has some freaky nightmares about Samara and the tape and everything. Rachel assures him that she definitely will not just leave him alone while going out and almost dying again. So maybe her parenting is a step up in this one. But that just means she’s at the level of “drunk and slightly incoherent” mom instead of “holy shit, she just did THAT to her child” mom...don’t worry Rachel, you’ll have your own show on MTV sooner or later. It’ll probably be called “Whoops, I Left My Kid Alone to Go Ghost Hunting.”

After that, they go to a fair where she just lets Aidan run off in the middle of a bunch of perfect strangers, who could potentially be crazy serial killers or rapists, but it’s OK. He just goes in the bathroom and takes pictures in the mirror.

Glad your kid is weird and just goes off to take pictures in bathroom mirrors, instead of getting into vans with strangers - seriously, WTF is the logic in telling your young son "oh yeah, just go off without me, it doesn't matter"? Are you high?

In a truly Insidious-esque twist, we see that the camera just makes ghosts appear in the picture with you now, rather than the last movie’s silly ‘blurred face’ crap...apparently this is a signal that Aidan has contracted hypothermia mysteriously, so they get out of the house and go stay with Rachel’s reporter friend Max, who is filling the ‘generic horror movie guy’ quota of the movie. You know the guy who is inoffensive, bland and milquetoast as hell? The guy who, in every horror movie, is the best friend with a possible romantic interest in the main girl, but who would never dream of actually taking advantage of the situation in any way? The guy whose only role is to be the voice of reason and talk in a really wimpy, whiny sort of tone all the time? That’s Max.

In the bathtub, we see some crazy stuff happen as I think Max will want to re-look at his water bill for the month...hope he’s not too mad:

Just think of all the money wasted on this effect. Think of all the green backed dollars and shiny coins that got sucked deep into the funnel of corporate pandering in order to create this scene, in this soulless movie.

Then Rachel decides the best idea is to strangle Max just because she thinks he’s Samara for a second…it’s funny to me that THIS is the big reason that everyone finally starts doubting Rachel’s parenting ability. Let’s count the horrible things she’s already done before this:

1. Leaving the killer videotape for Aidan to watch on his own and thus put his life in danger?

2. Leaving him alone while she goes off on a journey that she could very well DIE on?

3. Letting him wander around a strange new town fair alone where anything could happen to him?

Yeah, like I said in the other review – just take Aidan away from this crazy broad and put him in a home where he’ll actually be SAFE. Christ, these movies give the Poltergeist series a run for their money in terms of bad parenting.

But nevertheless, at least they’re finally starting to suspect Rachel is a horrible parent, even if it is for the wrong reasons. They take Aidan to the hospital, even though Rachel says she doesn’t want to...WHY?! Why would you not take him to a goddamn hospital, you bimbo? What possible reason could you have? Are you just mentally deficient? Is that it? Are you just the worst shit-eating, loathsome, scum of the Earth parent to ever exist?!

Jesus. I’m reaching my limits here. Let’s just get the rest of the movie over with.

There are a lot of boring, dull, trite scenes where Rachel goes around to the old Morgan house from the first movie to research stuff. It’s a complete waste of time, and I’d rather watch paint dry. Why does every 2000s supernatural horror film have to have these slow-paced, uninteresting ‘research’ montages? It’s totally bullshit. There are ways to do these kinds of scenes right, but The Ring 2 doesn’t, and neither does any other subpar excuse for a horror film around this time. It’s lazy filmmaking and all it’s really doing is taking up precious film reel that could have been used instead to educate people, or at least to make an actual good movie. Sigh.

God, I'm glad Cabin in the Woods exists to show how stupid all of these kinds of scenes are. Maybe a couple of times, in the entirety of horror as a genre, has research scenes ever led to anything important to the plot. IT'S NOT SCARY, people! Learning the origins of things is not scary!

Rachel goes off on a quest to talk to Samara’s birth mother and figure out what the hell is going on. After another over-five-minute scene of wasted time trying to get in to see the mother, we finally get there – I think The Ring 2 thinks it’s conjuring up atmosphere, but this isn’t atmosphere, it’s just dragging out the inevitable, like a knife-wound left untreated while your paramedics go and get a grilled cheese sandwich from the bar next door. Painful, excruciatingly dragged out crap is what it is.

So apparently there’s some story about how Samara’s mother, Evelyn, once tried to drown Samara in the pond outside the mental institution, and that’s why Samara was given up for adoption…to the other family that tried to kill her. Evelyn tells Rachel that she did it because “Samara told her to.” Yup, she tried to kill her infant daughter because her infant daughter told her to; clearly this woman is a beacon of sanity in a forest of madness. Her advice to Rachel is to “listen to her child.” Hey, isn’t it a bit weird that Rachel would go to a child murderer and insane asylum inmate to get advice on parenting? Somehow it doesn’t surprise me though.

"I'm totally insane! But I'm a wise prophet on taking care of kids...please, yes, listen to what I have to say. It will tell you everything you need to know."

Oh, and NOTHING about this scene is ever brought up again. That “listen to your child” bullshit? Never referenced or mentioned in the film again! Hooray for pointlessness!

Back at home, Aidan is possessed by Samara now – did you know THAT was one of her powers? How about when he uses psychic powers to make his doctor kill herself? Did you know THAT was one of Samara’s powers? No? Well, that’s because this movie made that shit up without even bothering to try and connect it to the original movie’s story. Is it any surprise that a film so boring and lifeless has trouble even keeping its story straight? “Samara is an evil ghost with the power to kill people, but only if they watch a video tape...or if she just feels like possessing someone and murdering people for no reason...” What absolute ass.

Then Aidan goes to Max’s house again and somehow kills him. Rachel finds him in the car:

Did he even watch the tape at all? Did Aidan/Samara just force him to? I'm more inclined to believe the movie has just thrown all pretense of making sense to the wind.

Isn’t it kinda suspicious to the police in this town that people keep turning up with their faces like that? Even if half the murders happened in another town, they’re all obviously identical in what happened to them – even if nobody knows how it happened. So do the cops really just think it’s all a big coincidence? Geez, movie. I know small town cops aren’t always Sherlock Holmes, but c’mon.

Aidan acts strange and Rachel figures out that Samara is inside him, so she just drowns him in the bathtub again until Samara pops out like a jack in the box. Rachel revives Aidan and everything is cool, until Samara tries to come back through the TV – seriously, are they even trying with this shit now? The premise of “you have to watch the video to die” has become “Samara just does whatever she wants until she kills everyone.” Real gripping plot, movie.

Rachel gets sucked into the TV and ends up back in the well with Samara again. And we also see her do her best Dark Knight Rises re-enactment!

"RISE! RISE! RISE!" Maybe Samara can break her back and take over Gotham City afterwards. Makes about as much sense as anything else in this movie.

Despite all that crap the movie tried to shovel about Samara being sympathetic because people tried to kill her, we see Rachel just drop-kicks Samara in the face and condemns her to live forever in a dark hole with no light at all. After seeing what Rachel considers to be good parenting and just general good humanity, I question whether the ‘good guy’ really won in this movie at all. What else says ‘heroism’ like a little girl who was knocked around her whole life continuing to get shoved back down in the dirt for no other reason than the fact that she makes creepy insect sound effects when she moves and has too-long hair?

This movie is just wretched. It’s stupid, has questionable morals and, oh yeah, IT’S BORING AS HELL. There is nothing about this movie that I liked, or even found the least bit tolerable. It’s just a steaming pile of manure compost made up of the worst elements of post-2000 horror movies. Why even bother with horror movies at all anymore? I’ve already said everything there is to say, and this movie is the final nail in the godforsaken coffin. It’s just...God, this is so bad. It’s so completely insipid, and I’m as burnt out as you can get on reviewing movies like it.

That’s it, then – I’m done reviewing horror movies! I can’t do it anymore! From now on, I will only review romantic comedies!

Images in this review are copyright of their original owners. I do not own any of them.

REVIEW: The Ring (2002)

Oh no! I watched The Ring and now I only have seven days to do this review!

Director: Gore Verbinski

Starring: Naomi Watts, Martin Henderson

IMDb

Yup, that's just how it works now. Seeing the movie The Ring is pretty much the same as seeing the fictional video tape featured in the movie. Seeing as I usually do reviews in less than seven days, I guess that won’t be a problem though…

For those not “in the know,” The Ring is pretty much the forerunner to most modern horror movies anywhere. It’s the prototype for all the modern supernatural ghost stories we have, long-haired little girl ghosts with demonic faces and all. But unlike The Grudge, which is unequivocally horrendous, The Ring at least does try to have some good stuff in it. But is it enough for me not to review it? I don’t think so!

The movie kicks off with two girls talking about the evils of television, and how it kills your brain. Assuming that extends to movies as well, I really don’t think it’s that great of an idea to kick off a movie with the reasons why you should turn it off.

"Like, the corporations are out to get us, man."

They play pranks on each other and stuff, lots of red herrings, and talk about boys and evil video tapes that kill you. Apparently one of the two girls has just come back from a weekend vacation where she and her friends watched this tape that is rumored to kill people a week after they see it. Insert your own ‘The Ring 2’ joke here, or any bad movie for that matter. I’m just wondering what kind of movie studio would be so desperate as to use a marketing ploy like this. I mean, a movie that makes people die a week after they see it? That’s pretty hardcore. I’m sure they would find a great audience among the kinds of incessant whackjobs who watch crap like A Serbian Film, however. Or, if they were really desperate…

Oh, okay, I know Lion’s Gate wouldn’t go that far. They did release the SAW sequels, but I’m fairly sure their desire to bring in a profit would stop them from a stunt like this. But I digress. Just when you think nothing is going to happen and the movie will be nothing but boring teenage banter…

Yup, looks like she tried to French kiss a vacuum cleaner. Wonderful. We then switch over to our next main character Rachel, played by Naomi Watts. Her problem is, her son keeps drawing freaky pictures in class instead of letting the United States Education System pound its historically and politically biased dogma into his brain. And that just won’t do!

So apparently, this kid thinks his dead cousin magically turned into a giant when she died. Or maybe he just thinks she was always that size...stupid kid.

I love when the teacher tells Rachel that her son clearly has problems and she just sort of waves it off. She says her son has been missing his cousin who died three days ago, and this is how he’s dealing with it. Because drawing pictures of dead people in class? TOTALLY DEALING WITH IT! At the end of the conversation, the teacher says Watts’ son actually drew the pictures a week ago, even though his cousin died three days ago. Creepy! Cue the “dun dun dun” music. Personally, I think the teacher should be more worried about Rachel's psychotic lesbian tendencies...

If you get the reference, I'll give you a cookie.

In the car, Rachel’s son Aidan says that the cousin – the girl from the opening – told him she was going to die, before the fact. Well if that’s the case, then why the hell was she acting so carefree and normal in the first scene, on the night she died? Did she just forget? Or was she just trying to scare her cousin? Personally, I really wonder what that mental thought process was like. What could she have been thinking?

“Oh shit! I’m gonna die in seven days because I watched a videotape! Hey, cousin, come here…listen, I’m going to be dead soon! I’m not explaining anything else because that would be antithetical to my goal of being as vague and ominous as possible and scaring a little boy who loves me! Hey, best friend, want to go party, talk about boys and joke around? Yeah? Cool. Okay, time to die now!”

Man I hate teenagers…

After that, the funeral happens, where Rachel talks to some teenagers and figures out that the other kids who watched the tape are also dying. So she does some poking around and goes to the cabin where they stayed, and finds the video tape almost immediately. Gee, that’s so implausible I can almost feel it in my teeth. What, she knew it was the right tape because it was the only blank one on the shelf? What if it had just been some homemade porn tape the guy at the counter made? Well either way it’s irrelevant, because by the laws of bad movies, it does turn out to be the correct tape. She watches it and…

So the ladder must represent man's eternal folly of making weak-ass, half-thought supernatural thrillers.

…wow, this is the worst Ingmar Bergman movie I’ve ever seen!

And then, you all know what happens next: she gets the phone call that starts it all, with a whisper that says she only has seven days to live. I personally feel sorry for whoever it is making those calls. It must get boring just having to call people over and over saying the same things…like the worst call center job in the world. But Rachel doesn’t have any sympathy as her countdown immediately begins!

Yeah, the funniest thing about this is that – spoiler alert! – most of their days are completely wasted. They barely even do anything until the very last two days! What an incompetent bunch of morons. But far be it from me to skip over large portions of this movie; no, no…I’ll go through all of it. First we see that apparently, a side effect of the killer video is that it makes pictures of peoples’ faces look kind of blurry and weird:

Man, Instagram wasn't so good in its early days...

Yeah, that’s right – this is a real side effect of the killer videotape. What do you think Satan was thinking when he conjured up that one? “This videotape, the spawn of all evil, will kill anyone who watches it in seven days…oh, and also it will make pictures come out kind of bad…it’s not a lame side effect! It’s, uhhh, just to screw over anyone who wanted to take pictures during their last seven days for their loved ones to remember them by! Bwuhahaha!”

Somehow I don’t think those two punishments quite even out.

Oh, and there's also Noah, Rachel’s old boyfriend, who is probably the coolest character in the movie, for now anyway. He at least knows what he’s doing, which is better than most of these movies ever get. He says he wants to watch the video, and at first, Rachel says no…but after the tiniest bit of prodding, she thinks it’s cool to show a person the videotape that KILLS YOU after you watch it. What a bitch.

He doesn’t think much of it either, and the two spend a lot of time trying to figure out what’s up with that freak-ay tape. To be fair, these scenes aren’t too bad, so I won’t really fault them that much. I will, however, fault a lot of the characters for the next few scenes…Rachel wakes up one morning to find that Aidan has watched the tape! Oh no! Maybe she shouldn’t have kept it in a place where her young son could easily get to it and put it into the VCR? Somebody call Child Protection Services on this broad.

"I really am the worst mother of the year! Oh well. At least he hasn't touched the bottle of Jack I keep on the kitchen table while I'm sleeping, or the gun I put under his bed for safekeeping..."

Then we get the big reveal that Noah is actually Aidan’s father. In the car while waiting for Rachel, Noah says he wouldn’t be good father material and so doesn’t come around that much. Great. Because of your insecurities, a little boy grows up without a father. You despicable piece of scum. How about next time actually taking responsibility for your actions, buddy? You asshole. It’s a shame because this guy was actually fairly likable for the genre’s standards, but after this? I just think he’s a pussy. Oh well.

I also love how one of the days this movie chronicles takes up more time with Rachel and Noah arguing in the hallway of his apartment building than it does them actually trying to accomplish shit. Do I even have to say why this is stupid? Oh no, guys, by all means. Continue your argument. It’s not like you have a kid together who’s dying or anything! Romantic banter is always equally important to life-threatening paranormal doom, right? Even Bonnie and Clyde would say these two are being ridiculous.

Somewhere along their research, Rachel finds out that the woman in the tape in one scene is actually Anna Morgan, a resident of some island with a lighthouse that is also featured in the tape. Apparently a long time ago, the horses on the island went insane after Anna Morgan brought home a foster daughter, Samara – who is the girl in the tape, if you’re the two or three people who don’t know that by now. So Rachel goes on a boat, finds a horse, and this happens:

GERONIMOOOOOOOOOO!

Yeah. You just saw that. A goddamned horse went ballistic and threw itself over the side of a boat in this horror movie. Tell me which Grudge sequel has anything that ridiculously cool, and…well, I still won’t watch it, but you see my point!

She gets to the island and meets Brian Cox, who plays Richard Morgan, the lone standing survivor of the Morgan family. He’s a depressed old man who is about as sad about his horses dying as he is his family dying. After some more poking around and researching, they figure out that Samara was locked in an attic for years because Richard blamed her for Anna’s death and insanity. Somehow while locked in the attic, she gained supernatural powers and made a video tape that kills people in seven days after viewing.

Uh, okay. I rarely ever do this. But we need a break for a moment, while I try to process exactly what this complete gibberish insanity is trying to convey here.

…I’m sorry, but I really don’t see the connection there! Even if you’re trying to say she already had the powers before Anna adopted her, it still doesn’t make sense! So she had the supernatural power of making evil videotapes? How does she make the phone calls happen every time? What happens if somebody watches the tape and they don’t have a phone? Movie, I know you’re based off a Japanese film, which basically means you can do away with making any kind of sense, but come on! A little bit of effort would be nice!

Then they go to the cabin again and tear up the floors. The TV falls down the hole and knocks Rachel clean into the open well conveniently still there – not like they would have demolished that when they built the cabin, right? – and seriously, Rachel is that clumsy? It’s like something out of a Tom and Jerry cartoon.

Personally I think the staticy TV had its best day in Poltergeist, and that came out 20 years before this!

Rachel gets stuck in a well with some dead bodies – always a fun time – and then Samara shows her how her mother put a bag over her head and dropped her in the well to begin with. Because, remember, any good horror movie always has to have a sympathetic killer! We can’t just have an evil, malignant force killing off our main characters! It has to be a sympathetic killer we can feel sorry for and know why they are so evil and bloodthirsty. Truly that is the way of good, scary horror movies. Doesn’t dilute the fear and terror at all. What’s really scary is backstories! And remember, for even more of an effect, go the Rob Zombie route and devote half of the goddamn movie to the killer’s backstory. The Ring doesn’t do that, but that’s only because it simply laid the building blocks for modern horror. It would be a few years before the formula was perfected.

But I digress…they get out, and go back home to find Aidan sprawled unconscious on the floor. Because any good parent leaves her child alone and unsupervised when they may not ever come back alive, right?

The floor is his babysitter now. The rug, his comfort. You are dead to him, parents...dead.

…no, I’m done being sarcastic. Will somebody just kill these parents already?! It’s bad enough that the father is a worthless dick-cheese who won’t help raise his son out of his own sense of insecurity, and now we have a mother that forgets to call a babysitter when she goes out on the off chance that she might DIE IN A WELL IN THE MIDDLE OF NOWHERE. Please, just send these two to the electric chair.

But fortunately we don’t have to, as in the next scene, Noah gets killed when this happens:

Talk about interactive TV! I wish my TV could do that. Maybe in the future we’ll finally be able to get Scarlett Johansson or Megan Fox out of the screen and into our living rooms.

I’d also like to take a moment to, erm, “thank” this movie for pioneering one of horror’s biggest reference points after it was released – the creepy, zombie-ghost girl with long hair covering an evil looking dead face. This image has been done time and time again in numerous god-awful films such as The Grudge, One Missed Call and Shutter, among hundreds of others. I dunno, is this really what the Japanese find scary? Demonic little girls with too much white-face on? I guess I just don’t get it. But safe to say, even if it was a scary idea, it has been run into the ground SO DAMN MUCH that it would be ineffective either way. So thank you, The Ring…thank you so much.

I love the way Rachel actually doesn’t know what’s gonna happen when she turns Noah’s chair around…lady, haven’t you ever seen a horror movie? If you go into a room and someone is sitting there, not responding, with their back turned, do you think they’re just playing a joke? Oh, how innocent and free it must have been to live in a world where horror movie clichés are only a little bit dated, as opposed to 11 years later, when they’re just run into the ground.

"Maybe he really IS just sleeping! That must be why his chair is suspiciously and conveniently turned around like that, so I won't see his face yet..." Also, the guy's current girlfriend is shown going up the stairs after Rachel leaves. Rachel does not do anything to stop her or even lessen the blow of what the girl is about to see. Our hero, folks.

Anyway, she goes home, tries to destroy the tape, only to discover that they have to pass on the tape to someone else in order to get rid of the whole curse thing. There are some ominous cuts from the video aaaaaand…that’s pretty much how it ends. I wouldn’t even call it an end…more of a cliffhanger, really.

Well, I can’t say this is a terrible film, it’s got a few good moments here and there, and some nice atmosphere. But too much of it just falls into that annoying modern horror stereotype – it invented a good many of the stereotypes we see today, but then, I wish they were done better. It’s weird because these elements – the ghosts, the supernatural storylines, the backstories – could potentially be melded into something good. It’s not like these things are bad simply by their natures, so why can’t anyone string together a good film from them?

Oh, and I forgot, I’m gonna die in seven days because I watched the movie! Oh well. I’ll just keep pondering these questions and mix it up by flirting with people. No big deal.

The images in this review are not mine; they are copyright of their original owners.