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Tuesday, October 31, 2017

The Year Movies Got Stephen King Right

This has been a great year for Stephen King movies - three in a row based on his stories have been killer: It blew through like a storm in theaters and became the highest-grossing horror film ever made, then on Netflix we got Mike Flanagan’s Gerald’s Game, dripping with dark and enticing imagery, and finally 1922 - a sad, horrific period piece.

I loved all these as King’s written macabre tales, and I like them as movies almost as much.

And it really is kind of a breath of fresh air for me, as I never thought movies based on King’s stuff were always very good - I went on record as hating the original It movie back in 2016, and others like Pet Sematary, The Stand and more were underwhelming at best. I suppose there were some good ones too, but the disappointments as compared to the books were too great for me to get past.

And I think the tone was just never quite right - King has always been such a big name for the unique imagination and style he had, which wasn’t really ever translated right before this year. It’s not something that can be described in a word or two, but just the feel his stories have - the dialogue style, the focus on emotional heartstring-tugging character development, the strange and surreal supernatural world-building that doesn’t draw from any one established school of myth… it all just comes together into a uniquely King-like piece that he has forged over the years into a signature style.


Finally, with these films, I think they got it right. In the new It movie, the way the kid main characters interact and talk and jive with one another is just magical. It’s great to watch because they’re actually funny and have memorable interactions - not like the old one where I honestly can’t remember one conversation between them. These kids are seriously charming and the writing combined with their acting skills produces a wonderfully enjoyable energy. And when things get dark and the visions they see draw them together to fight the evil, you really give a shit. That’s how you make a good story. King understood that, and now a movie based on his work captures his unique writing style well.


In Gerald’s Game, a husband ties his wife to the bed for some sex games, but then the husband dies of a heart attack, leaving main character Jessie to fend for herself. One thing King did with the book was create such a rich story even despite the fact that the character is tied to a bed the entire time. He did it through flashbacks and inner dialogue and a whole story about what led to Jessie’s current predicament. Flanagan masterfully weaves this stuff together by putting in ‘ghost’ versions of Jessie and her dead husband that converse with the real ones, as well as flashbacks with wonderfully macabre, ominous imagery. The level of introspection and character layering is in-line with King’s specialty.


1922 is a newer story, a tale of murder and greed set in a farmhouse in the early 20th century as a farmer plots to kill his wife for the land she’s inherited. It was one of my favorite stories King has done recently, and an especially brutal and punishing read. The movie pretty much sticks to exactly how the story went, not missing a beat. Thomas Jane is excellent as main character Wilfred James, and the creeping, slow-burning horror and guilt of this story rolls over into a crushing wave by its end. Like a lot of good King stories, the horror comes from the human evil and the perils of greed upon his own actions. The pacing and atmosphere are just perfect - chilling stuff.

As I’ve been writing this, I noticed all the reasons I’ve given for appreciating these movies - good characters, layered writing, chilling atmosphere and the human evil - aren’t necessarily groundbreaking or original things that make King’s work good. They’re things that make any fiction good and lots of good fiction does these things well. But as I said, King just has his own unique touch and I am glad these movies are doing him justice finally. King has been a cultural icon and institution for decades and I’ve enjoyed his work for well over 10 years now myself. Do yourself a favor. Check out these movies this Halloween season.

Images copyright of their original owners; I own none of them.

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