Standoff is a movie about angry, shouting men trapped in a house together. If that sounds good to you, well, you'll like the film. If you're thinking there could be subtleties and more depth to it than that, well, get ready to be disappointed!
Director: Adam Alleca
Starring: Thomas Jane, Laurence Fishburne
Co-written with Tony.
Apparently this got mostly negative reviews, according to Wikipedia, which really is the only source for movie ratings. Fuck Rotten Tomatoes. I'm a purist and only read the "reception" tab on Wikipedia to tell me whether to get a movie or not. And I'm glad to add my critical voice, so esteemed by my peers, into that foray!
This movie begins with Thomas Jane, who I like to think of in this movie as Better Keanu Reeves, as he has long hair and a similarly angry, stoic demeanor, but he can at least try to act, so that's something. Him and his wife are mourning because their kid dies, and she leaves him, apparently not really needing that big Thomas Jane acting gold too badly.
|That's way too nice of a shot for this movie. Kind of a waste...|
Meanwhile, a little girl with a camera, called Bird, is going to a funeral with her stepfather, Rob Zombie movie extra:
|Straight from the set of '31' probably.|
They get there and it's pretty much as cliché as a funeral scene can get – like, the fact that they filmed this at all without falling asleep is amazing. I bet they just watched a funeral scene in any other generic Z-grade thriller like this and copy-pasted the entire script. But they can't even finish the funeral without a hitman showing up and killing everyone there. D'oh! Foiled again! Better try to have that funeral again at a later time. It's going to require a do-over.
|He actually always only kills people at funerals, just because he is a lazy fuck.|
The little girl sees him doing it and takes a photo of him with his mask off – it's Laurence Fishburne, by the way. He sees her and then immediately decides he has to devote the rest of his day to killing her. He cancels all his other appointments, including the one to curl his hair and the one to get his nails done. He chases her through this big field to the house of Better Keanu Reeves, who opens the door and is surprised to see her there. But he's even more surprised when Fishburne shoots him in the foot immediately, without even attempting to reason with him.
This begins the main conflict of the story – Jane's character and the little girl, Bird, stuck upstairs in Jane's house while the increasingly deranged Fishburne stomps around downstairs threatening them. It's the least suspenseful cat and mouse thing ever. There should be multiple ways out of this, but for some reason, this is dragged out for a whole damn movie. It's also revealed somewhere in this mess that Jane's character is a soldier. This has importance because, well, they couldn't think of any other way to shoehorn in him being such a badass. Still better than John Wick, though, which is why Jane's character retains the nickname Better Keanu Reeves.
Especially ludicrous is the way Fishburne constantly blathers on about how he's the best hitman ever and he's the biggest challenger Jane will ever face. But he proves himself wrong instantly, as he's constantly over-emotional, flying off the handle at every little insult Jane throws his way. You know, like a good hitman would be. He also gets really, really drunk to ease the pain of when Jane shoots him, too – I'm sure being drunk just makes him a better hitman.
Not to mention the elephant in the room – he's doing all of this just to kill one little girl, and he can't even do that right! How good of a hitman can this guy be? Were all his previous marks catatonic patients in hospital beds? Fuck, this is a dumb ass movie.
The movie pretty much proceeds like this for the entirety of its runtime:
FISHBURNE: Who the hell do you think you are? I'm going to laugh at you from down here!
JANE: FUCK YOU, YOU MOTHERFUCKER! I'LL TEAR YOU APART!
Or sometimes, when the movie really starts taking risks, they reverse that conversation so it's Fishburne screaming his head off at Jane being condescending. Ooh, now we're really getting brave!
I just don't know. Most of the movie is just a dull slog. They really, really stretch this out, to the point where the stretch marks would look more like World War II bayonet battle scars. Jesus, this is boring. I guess a few times, they move around and make it seem like something interesting is going to happen – like, at one point, Fishburne goes outside and climbs upstairs using a ladder, I guess. Even then it doesn't get any more interesting. Having the only two characters involved in the fight be crippled from wounds and one of them very drunk doesn't exactly make for good suspense. What's next – a movie about two geriatric wheelchair-bound old farts screaming at each other across a nursing home? Check that out next summer, from the makers of Standoff!
At one point, a cop shows up and hears gunshots coming from the direction of the house. Showing that the old 'dumb cops dies' trope is still fresh to some misguided individuals, he doesn't even call in that he heard gunshots. He's about to, but instead of telling the rest of the sheriff's office there was gunshots, he just goes it alone. You go for it, Rambo!
So Fishburne ties up the cop and tortures him for a while, all to get Jane to send Bird downstairs. He doesn't, so instead we just get a pretty lame, try-hard torture scene shoved into the movie. Ya know, in case you weren't convinced already that this movie is out of ideas and pandering to horror cliches that no one wants to see in the first place.
|Did you want a torture scene with cuts so quick you can't even see any gore? Do you also want a porn movie with only shots of the girl's feet through the whole thing?|
I just don't get the whole premise of this story. Fishburne's character wanted to kill Bird because she saw him without his mask on. But he CHOSE to take his mask off in front of the woman he came to the cemetery to kill in the first place. That was in broad daylight. Unless he had extremely accurate, prescient future-vision, there's no way he couldn't have known that some other random pedestrian(s) wouldn't have walked by. So really, it's his own fault for taking his dumb mask off and assuming no one in broad fucking daylight would ever see him. Kinda a self-fulfilling prophecy. Numbnuts.
And now he wants to kill Bird – a girl who can't be older than eight. She would have nothing to talk about if you hadn't taken your mask off. So really, all this is your own fault. It's especially insane and maddening because he constantly talks about how he's the greatest hitman in the world. Uh, maybe if by greatest you mean worst. Maybe that would be accurate.
The movie ends with a lot more huffing and puffing from these two assholes – Jane does the cliché thing for these movies and asks why Fishburne ended up the way he did, and Fishburne tells some dumb story about how he started killing more and more people and it helped him sleep. Snooooooore. Wake me up when you learn to write a real character!
|The movie's characters are so thinly and shallowly written. They have no depth and they just scream and the movie thinks that's a way of conveying who they are. It's hack bullshit. It sucks.|
Then, as if this whole thing couldn't possibly get any dumber, it's revealed Fishburne has lured Jane's wife to the house, by telling her he was drinking too heavily, and she believed him despite never having heard his voice before. Yeah, I'm sure the guy who you've never met or heard of, claiming he's your husband's friend and telling you to come back to the house but not letting you speak to or hear your husband, is telling the truth! I also have a Nigerian prince who needs some money. Open up that check account, bitch!
So he kidnaps her and threatens to kill her if Jane doesn't give up Bird. Seeing as he would probably kill them both anyway after they gave him Bird – why wouldn't he? – the whole thing is just dumb. This guy has left a bigger trail of bodies by now than most serial killers. He killed a fucking cop. You think you'll be able to really get away with this? He constantly goes on about how his employer will kill him if he leaves any witnesses. Well, I doubt your employer will look kindly on this Appalachian Trail of bodies you just left in broad daylight and go, oh yeah, this was the job I wanted done.
But it's OK, because Jane attacks Fishburne and stabs him multiple times in the neck, killing him – so glad this whole thing was solved in the non-violent way as my Sunday school teachers always used to tell me. Then we get a ridiculous ending of Jane and his wife and Bird huddling together, set to the worst and most inappropriately sappy music they could find. As if to say 'look at what an important story just happened.' Honestly, I'd rather set this music over a video of me taking a shit.
This is a load of crap, honestly. I've had more fun locking myself out of the house, in terms of things tangentially related to what happens in this movie. In fact, what did happen in this movie again? I can't remember. Oh well.
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