Director: Stephen Hopkins
Starring: Robert Englund, Lisa Wilcox
Website: http://www.imdb.com/title/tt0097981/
I mean I just don’t know what the hell they were thinking with this. I’m
not saying the other Nightmare movies were great or anything, but they were at
least inventive and had some good kills here and there. This is like the series
was given an enema by a blind, psychotic homeless man and then left to die on a
roadside somewhere, surviving only on terrible jokes and even worse ideas for ‘serious’
moments.
If you like being entertained or even retaining your brain cells, this
isn’t the movie for you. But if you like having your senses and intelligence
insulted every second of a movie, well, then you’re in for a treat, as this thing is the equivalent to being kicked in the ballsack by a steel-toed boot while a toddler screams in your ears at the top of his lungs!
The movie begins with Alice, one of the characters from the previous
film, taking a shower, because that’s all blonde girls do in slasher movies,
take showers. The water turns steaming hot and instead of just opening the door
and getting out of the shower, she instead stays there for several minutes
trying to turn the water off. Prime example of natural selection here, people! Unfortunately this dumbass bimbo is our main character for the rest of this cinematic nuclear bomb.
Our heroine's first idea to escape was NOT the doors but instead putting herself further into the boiling hot water...truly one of the brightest young heroines ever. |
Then she runs out to find she’s in the old mental hospital where Freddy
Krueger’s mother was raped by the inmates all those years ago. She wakes up to
some guy we don’t know yet asking if she’s OK, who then turns into one of the
inmates and starts strangling her. Dream within a dream! Great twist, guys! She
wakes up for real and it’s time to graduate from high school, even though I’m
pretty sure the writers of this movie, mentally at least, never graduated from
pre-school.
Also, I love the implications of this movie’s main cast. Alice, the
lead, was previously in the last film, where she was a member of a different
group of friends, all of whom got killed off. How do you think the process went
for her to make new friends to surround herself with? How many people do you
think were like “hmm, the last group of people to hang out with this chick all
randomly died within a few days of each other? Maybe I should reconsider”?
Might’ve been in your best interest, body count. Might’ve been in your best
interest…
Seriously, kid, do you look at yourself in the mirror before you leave the house in the morning, and if so, how do you NOT cringe with shame and dismay? |
So Alice, while on her way to work, gets sucked into another dream,
this time watching Freddy born as a little demented claymation baby, who goes
into a church and finds his Freddy costume and then turns into the real thing!
His first line is “It’s a boy”…I really think this is a movie that would highly
benefit from having a silent killer, who doesn’t talk at all. It’d be better
than any dialogue these writers came up with.
The fact that they got Robert Englund to say half his lines in this amazes me. I am thinking he was blackmailed, or maybe he just had outstanding debts. Poor guy. |
And aside from that, what, are these people just narcoleptic or
something? Falling asleep on your way to work? Get some sleep, you moron! It
only gets worse, too; like the movie thinks high school graduates are senile
old drunks who can’t stay awake for longer than a second. But I guess that is
true for some of them…
Stupidly, she calls her boyfriend to come pick her up and when he
leaves, he gets killed by the Fredster, in one of the strangest displays I’ve
seen outside of Megadeth’s debut album cover:
Attack of the horrible claymation zombie robots! |
It’s a poorly done scene that drags on too long and isn’t funny or
scary. But if I singled out this scene alone for that flaw, I’d be a pretty big
hypocrite. Then we see another friend get fed to death and turn into a Garbage
Pail Kid on steroids; truly this film knows what Freddy fans want – CGI better
fitting of a Rankin Bass Christmas special.
After that, resident comic geek Mark gets sucked into Freddy’s
nightmare world somehow, it’s not really explained or fitting with how the
other movies worked, and Alice “draws” herself in after him…as a red stick
figure like something a three year old would draw. That’s supposed to make her
go inside the dream? Does she have special powers now like in Dream Warriors?
Movie, if you can’t have a coherent plot, just…no, don’t exist at all in that
case, actually.
Inside the house she finds a little kid who she figures out is her
unborn son…somehow. The next day, after saving Mark the comic geek from
imminent doom, she goes and figures out that Freddy is haunting everyone
through her unborn child, an idea so stupid that I feel less intelligent even
writing it down here. If he’s in the dream world…why hasn’t Freddy just killed
him yet and gotten it over with? We’ve seen in the other movies that he thrives
when people are afraid of him – and clearly, by this point, Alice is afraid of
him, and the others are getting there too. So why does he still need the
bullshit with the kid? It’s just needlessly confusing and doesn’t make any sense
with the typical storyline.
Were they even trying? I think I already know the answer to that one.
Then we see another problem with this movie, the fact that Alice
constantly freaks out and tells everyone around her that Freddy is out to get
her, with no proof, so she just looks insane. But then later she puts on a
completely normal front and tells her dead boyfriend’s parents that she’s
capable of raising the baby herself, COMPLETELY UNAWARE OF WHY THEY’D THINK
OTHERWISE. Gee, it’s not like you rave and rant like you belong in a padded cell
and constantly burst into hysterics and over-dramatic whispering about Freddy
all the time, is it? Oh, wait. You do
do that! That’s like me being surprised I can’t get a date while constantly not
shaving, not bathing and speaking only in sexist jokes. It’s stupid writing and
even dumbass slasher movies should try harder than this.
And seriously, seriously,
they expect us to be invested in this plot in the first place? Take a step
back, guys. This is a movie that tries to have serious talks about a character’s
pregnancy...
Durrrrrrrrrrrr.... |
...in between scenes like this:
That is shit! I mean what am I supposed to take away from this? Freddy
haunts an unborn child in the womb…IT DOESN’T EVEN SOUND LIKE A REAL MOVIE
PLOT! It sounds like a shit-ass-awful Saturday Night Live spoof! Whoever came
up with this might as well have just written ‘WE DON’T CARE’ on a big white
sign and hung it up behind the actors instead of the set pieces. It’s all but
written out in bold at this point. Hell, they're practically revelling in how bad they're sucking right now!
Ugh, so where were we? What, so that kid who can’t stop drawing comics
gets sucked into a comic book for his death scene? Color me surprised! Are you
going to tell us that fish live in the water next? He gets shredded to ribbons
and while I’ll give the movie a little bit of props for a mildly creative
scene, it’s nowhere near what the series could do at its peak, and mostly comes
off as jokey and inefficient. And I thought it sucked!
Then we get the big final confrontation where Alice and her unborn son
and Freddy square off. Freddy gets attacked somehow by the maniacs who raped
his mother in Alice’s dream – don't read too much into it; the lack of sense being made will just render you a drooling invalid in the corner, blood shooting out your eyes
– and then his arm falls off and turns into a bunch of spiders for no reason. And witness the astoundingly good character of Alice, who has faced horrible, literally nightmareish ordeals, yet is STILL afraid of spiders:
Freddy gets his arm back anyway and now it hangs off him like a broken action figure, and he runs like a cartoon character with athlete's foot. So then you get stupid scenes like this, which
would be shockingly bad if they weren’t just meeting the low, low standards the
film has already set…
And you also get scenes like this, which aren’t so much stupid as
totally idiotic AND incomprehensible, and these ARE shockingly bad because you didn’t
even think THIS MOVIE could get so horrendous:
What am I looking at? There’s some half-assed plot about how Freddy was
“living inside” Alice, but that’s never given any time to be explained, nor
does it make any kind of sense in the first place. How? Why? Would explaining
just go against your philosophy of not having anything that retains the
audience’s faith in the art of cinema? I don’t get it.
So apparently, and I’m not kidding here, all they needed to do was
reverse both Freddy and Alice’s son to infant babies, and then have them
absorbed into their mothers’ bodies as little glowing energy balls! Wasn’t that the first thing you thought of as a solution to this
movie’s plot? I can’t even count the number of times I’ve watched a film and
thought “man, this could be fixed really easily if they just psychically turned
one another into infants and then had their mothers absorb them into little
energy balls in their wombs again”! It’s just a classical storytelling device.
Yet another of the great, classic images put forth by this film. I am just in utter awe...of how little dignity and scariness there is in this shit. |
We then end on an image of our surviving cast sitting outside on a nice
sunny day with Alice’s baby finally born, completely ignoring the deaths of all
the poor saps whose only crime was to be friends with Alice. We also see the
little Nightmare on Elm Street girls in the distance, watching and beginning
their little song – what does it mean?! It means there is no God, because there
are still more sequels after this one.
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